HE DIDN’T DO DRUGS
"While Dalí’s surreal artwork and eccentric behavior may have you think otherwise, the artist did not use any chemical substances to alter his state. In fact, he once famously stated, “I don’t do drugs, I am drugs.” To spur his creativity, in the early 1930s he developed something called the paranoiac-critical method. This allowed him to access his subconscious and was a major contribution to the Surrealist movement. One way he kept himself in a dreamlike state included staring fixedly at a particular object until it transformed into another form, sparking a sort of hallucination.
HE HAD AN UNCONVENTIONAL MARRIAGE
By the 1950s, Gala (his wife) was publicly engaged in extramarital affairs, though it’s said that Dalí encouraged this. And in 1969, when Dalí purchased her a Catalan castle in Púbol, it was specified that he could visit her there only if invited in writing. Throughout their lives, there’s no doubt they shared an intense and cerebral love. He wrote, “I would polish Gala to make her shine, make her the happiest possible, caring for her more than myself, because without her, it would all end.”
HE TRICKED YOKO ONO
Always up for a prank, some consider Dalí a bit of a con man. Close friend and muse Amanda Lear recalls how he once duped Yoko Ono, selling her a blade of grass for $10,000. Apparently, Ono had asked Dalí to sell him a strand of hair from his infamous mustache. Not one to turn down a check, he got creative.
“Dali thought that Yoko Ono was a witch and might use it in a spell. He didn’t want to send her a personal item, much less one of his hairs,” Lear explained. “So he sent me to the garden to find a dry blade of grass, and sent it off in a nice presentation box. The idiot paid 10,000 dollars for it. It amused him to rip people off.”"
(and he also exhibited odd political beliefs, his infatuation with fascism being the prime example)
HE COLLABORATED WITH DISNEY
In 1946, Salvador Dalí and Disney designer John Hench worked on an animated film together called Destino. Dalí created 22 oil paintings and countless drawings that Hench then turned into film storyboards. However, just 8 months in, the work stopped due to financial reasons and the film was left unfinished, with only 15 seconds of demo reel completed.
In 1999, Walt Disney’s nephew and longtime senior executive for The Walt Disney Company, Roy E. Disney, decided to revive the production of Destino. The finished, 6-minute short was released in 2003 and tells the story of a ballerina on a surreal journey through a desert landscape
Salvador Dali - Destino. Walt Disney (2003)
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